PDF Dal Nord al Sud (Gli emersi narrativa) (Italian Edition)

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As such, its connotation varies from Florence to Northern Europe. What is recognizable in the Netherlands i. Doubling — the character and the real person who modeled for it — produces a theatrical effect The widespread use of wax effigies in Florence at the time has a role in the passage between inserting portraits of real people of the time into paintings representing sacred images. Ghirlandaio is a good example of creating balance between sacred figures and portraits of Florentines of his time in his Tornabuoni chapel How do you avoid idolatric worshiping, then?

How do you rethink image? The scholar addresses this issue from multiple points and perspectives. In the pre-Council of Trent period, we had the debate about the supremacy of sculpture over painting, with different positions taken by Castiglione, Bronzino, and Benedetto Varchi, respectively, but not exclusively. They all recognized the importance of sculpture for the urban landscape. The illustrations in this volume are superb. The layout of the book renders justice to the masterpieces with which and of which Nagel is conversing. The challenge in question deals with the hidden aspects of the Rinascimento.

Nagel offers such an enjoyable and refreshing look at this complex period that I truly suggest this read to scholars, for he proves the fallacy of some aspects of art history and its connections to the society of the period, thus making manifest the dynamic force of scholarly criticism.

But it is always, and especially, a critical reading of the reality a painting interprets. Kissing the Wild Woman.

Dal mio verziere : saggi di polemica e di critica by Jolanda

This work has been overlooked by early modern and contemporary scholars alike. With Kissing the Wild Woman, Nissen provides a welcome and discerning examination of Urania, considering the literary, historical, and art-historical contexts surrounding the author. Nissen devotes particular attention to Boccaccio, whose Fiammetta and Filocolo helped shape the prose romance genre in Italian. In the end, the fictional Urania and the historical Bigolina are in many ways corresponding figures.

While dominant male voices in the century would argue that a woman should achieve self- expression by posing for paintings, Bigolina counters that women can find a more appropriate outlet by harnessing the written word. By devoting due attention to a complex and neglected early modern prose romance, and by writing in a language accessible to scholars and students in all fields, Nissen gives Bigolina the voice she deserves.

The Perfect Genre. Drama and Painting in Renaissance Italy. Surrey UK : Ashgate, Following her introduction, Kristin Phillips-Court has divided her book into five main chapters, each dealing with a different play. Her focus on textual analysis is supplemented by examination of works of the visual arts: religious frescoes and panels, mythologies, allegorical portraiture, state portraits, and pastoral scenes.

The Perfect Genre is a welcome and necessary study with a truly interdisciplinary orientation. While this approach is not unusual in Italian histories of drama, it is under-represented in Anglo-American publishing. Phillips-Court organizes her investigations by first giving a close reading of select passages from the literary work under consideration. Her quotations appear in the original and in English, an intelligent choice that will make her work accessible both to university students and to scholars of English drama, who will see the relevance to the development of theater and the visual arts in a wider context.

In addition, she examines the biblical and classical sources of Italian Renaissance drama. Phillips-Court does not adequately justify overlooking the seminal productions of Bibbiena and Ariosto, presented with splendid sets by Peruzzi and Raphael. Although her interest is not in artists who were involved in mounting theatrical productions, it would have strengthened her art historical readings to have addressed this field of artistic exchange.

Her examination of Tasso is rich and original. Tasso, like Dante and Boccaccio, inspired many artists, but Phillips-Court is concerned to demonstrate the productive dialectical relationship between word and image. The final chapters on Tasso and Bruno deal with philosophical and metaphysical debates. Phillips-Court shows that she is equally at home with cultural history and political theory. Phillips-Court analyzes the self-fashioning of Paul III Alessandro Farnese and of his family members, in which Titian played so important a role as portraitist, while Caro filled the position of humanist secretary.

Rather, Titian took the unprecedented step of depicting a pope with his head uncovered in one of the two versions of the famous portrait, where Paul is not bald nor is his tonsure in evidence. Earlier in the sixteenth century, Raphael set a precedent in his portrait of Pope Julius II, which he followed in his subsequent portrait of Leo X. This precedent influenced Sebastiano del Piombo in several versions of Pope Clement VII, yet all of these depictions emphasized the ceremonial role of the papacy by outfitting the pope in his appropriate headgear.

Phillips-Court uses different registers of theoretical language in her study: literary criticism, historicism, film studies, art history, and visual theory. The use of film studies is informative and judiciously handled, resulting in a greater appreciation of the technical advancements of Renaissance artists and writers.

Occasionally the theory overwhelms the analysis. Was it Brunelleschi who designed the theatrical machinery? Readers of The Perfect Genre will find themselves turning to the plays and visual works in question for a closer look — an admirable achievement worthy of the best tradition of humanist exegesis. Both the black-and-white images and the color plates are nicely produced. Pp Classical intertextuality in the Furioso has been thoroughly examined on both sides of the Atlantic.

Stoppino takes into consideration various kinds of intertextuality and the importance of gender and female genealogy within the Furioso. In the first chapter, Stoppino concentrates on Bradamante as a female warrior in the Furioso and recalls her appearance as such in the cantari and poemi cavallereschi. The primary texts discussed in this chapter include two late fifteenth-century works: Historia di Bradiamonte sorella di Rinaldo Brescia, and the Inamoramento de Carlo Magno Venezia, The Ariostean incarnation of the Amazon-like figure was inspired by previous epic poetry Virgil, Pulci, Boiardo as well as by travel narratives e.

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In chapter 4, Stoppino examines how genealogy is transmitted through prophecy in the poem. Melissa, for example, imparts prophetic knowledge about the future Este dynasty to Bradamante. The author carefully traces the relationship of Bradamante to medieval literary figures of the sorceress and the sibyl. The role of females within dominant patrilineal narratives becomes the main topic of this section.

Specifically, she discusses how Ariosto challenges traditional patrilineal prophecy by making Bradamante the addressee of future Este dynastic knowledge. The notion of women as political subjects becomes especially apparent in marriage when loyalty is split between a family of origin and an acquired family. In the Rocca di Tristano episode, Bradamante becomes the female founder of the Este lineage.

Ariosto is able to revitalize classical tales through their medieval representations within the Furioso. The most striking is the introduction of the beauty contest for the women, absent from the French models. Gender plays an important role, and female warriors recall the longstanding but often overlooked tradition of the genealogy of gender. Her research is precise, well-documented and uncovers several intertextual references to medieval romance narratives in the Furioso. Texts and Translations. Medieval and Renaissance Texts and Studies This edition of Florentine Sacre rappresentazioni gathers some of the religious plays by Feo Belcari and Castellano Castellani and places itself among recent works dedicated to a rediscovery of this genre.

The sacre rappresentazioni, plays representing the lives of saints or biblical episodes, now attract the interest of scholars since the elaboration of biblical and hagiographical models can provide significant insights into the cultural environment in which they were produced. The project behind this volume is ambitious and undoubtedly significant in the field of Renaissance studies. The sacre rappresentazioni were not aimed at the learned but at a wider public, and therefore their form and content mirror the language, tastes and social habits of the average Florentine citizen.

This version is the most comprehensive to this day but it cannot be considered authoritative. Perhaps new revised editions based on the manuscripts and the early prints are now necessary to substantiate or improve on the nineteenth-century versions. Such editions might, for example, be more accurate and free of ambiguities caused by either typographical or editorial errors. The volume regrettably lacks also a complete bibliography at the end, although the footnotes provide bibliographical references, which at times appear not to be accurate or do not supply all the necessary data.

If, on one hand, Castellani satirizes the celebrated carnival songs, which probably represent to him the epitome of Medicean moral corruption Santa Maria Maddalena , p. The English translation is fluent, clear, and an excellent tool to understand especially the most difficult idiomatic sentences of this variant of Italian vernacular. With some improvements, the volume could be an authoritative and indispensable text in this area of studies.

Burlington: Ashgate Publishing Company, It was prepared for press, as editors Juliann Vitullo and Diane Wolfthal note in their Introduction, right before the global economy began its turn towards a recession and waves of protest voiced their outrage with corporate wealth and greed 1. Several centuries beforehand, during the rise of the monetary economy between the thirteenth and seventeenth centuries , the accumulation and the expenditure of individual and institutional capital were debated in moral and ethical terms.

Avarice, and not pride, increasingly began to be viewed as the root of all evils, as articulated by Thomas Aquinas in his gloss of 1 Timothy 1. This volume focuses on the competing values that emerged during the rise of the new monetary economy during the thirteenth century, a century during which mercantile Christians, for instance, had to reckon with the example of St. The nine essays, which are pan- European and interdisciplinary, reveal the ways in which mercantile activity co- existed with prevalent views of usury and avarice. Sturges shows that the texts reveal how workers who attempted to participate in the benefits of a new monetary economy were disempowered by restraints imposed by the landed gentry.

Murray attends to the ambivalent views toward moneychangers in the Low Countries from the thirteenth through the sixteenth centuries and to the tension between the economic and social moral status of the profession. Moulton also draws a comparison between Aretino and court poets, and prostitution. Though the play The Changeling does not stage international trade mimetically, Bradley D. Miller and Laurie Taylor-Mitchell offer a lucid presentation of the commercial activities of the order in all of its apparent contradictions and reconciliations with religious piety.

The Humiliati, despite criticism, were able to engage in commercial activity in ways that were seen to benefit Christian society. Artists were able as well to deflect the idea that usury was an infertile practice through portraiture of merchant husbands and wives. Analyzing a range of documents, music, plays, poetry and prose, together with an impressive treatment of medieval and early modern iconography, Money, Morality and Culture in Late Medieval and Early Modern offers a timely and well-rounded consideration of how these debates evolved in clerical and lay spheres.

It will undoubtedly be of use to scholars in a large range of fields and disciplines, not only those under examination in these essays. Kristina M. Atti del convegno internazionale di studi. Rovereto, dicembre A cura di Marco Allegri. Rovereto: Accademia roveretana degli Agiati, Contributi non peregrini, data la natura poliglotta e transnazionalista di questo autore, che compose le Scintille in quattro lingue e compose saggi in francese, poesie in greco e latino, testi in illirico.

CLXXI, , pp. Pisa: Edizioni ETS, In questo libro Erminia Ardissino analizza le conoscenze scientifiche di Galileo esaminando la corrispondenza epistolare che Galileo aveva con i familiari, gli amici e i colleghi. Nelle lettere abbiamo un Galileo che esprime se stesso in maniera libera e disinvolta e che discute non solo di problemi scientifici ma anche di questioni della vita domestica. Galileo fin da bambino venne introdotto alla musica dal padre Vincenzo, cantautore, suonatore di liuto e viola.

Galileo fece della musica un mezzo per sviluppare le sue argomentazioni filosofico-scientifiche. Inoltre Galileo utilizzava la sua conoscenza musicale per provare le sue ipotesi riguardo ad alcune leggi fisiche. Durante gli esperimenti sulla caduta dei gravi usava ripartire il tempo secondo ritmi ed intervalli musicali Inoltre permette al lettore di immergersi nella vita quotidiana di Galileo e di ammirarlo non solo come scienziato ma anche come padre, zio, fratello, letterato, musicista e pittore. Il secondo capitolo, La distanza della luna.

Mentre il terzo capitolo Critica del moderno. Alla lettura psicanalitica del desiderio e dello sguardo leopardiano in Aspasia della quinta parte del libro Lo sguardo di Euridice. Corredano il volume una nutrita Nota bibliografica e un Indice dei nomi Il cantiere Italia: il romanzo. Capuana e Borgese costruttori. Palermo: :duepunti Edizioni, The publication of a book about two writers as important — but also systematically underestimated — as Luigi Capuana and Giuseppe Antonio Borgese, is doubtlessly an important event.

The enthusiasm and thrust for civil renovation nourished by the Risorgimento has been kept alive in his critical writings, in which culture and society are always presented as strictly entangled , After moving to Rome in , Capuana leaves partially behind the themes inherited from the European naturalist novel, and opens up to the influences of a more spiritualist stream of thought, as it is paramount in his second novel, Profumo, published in Il marchese di Roccaverdina: tra scienza e fede His most important text in this sense is Tempo di edificare, published in The author draws in these pages the portrayal of a writer who strives for this change.

In other words, Borgese inherits from De Sanctis the utopist thrust toward the creation of a new world, as it is especially expressed in the essays collected in the three series of La vita e il libro For this reason, as Carta points out repeatedly, Borgese prefers to draw his inspiration from literary models taken mostly from the last century as Giovanni Verga, , and Tolstoj, The March of Fascism, , which contains a firm condemnation of Fascism as a phenomenon of degeneration of the Italian traditional culture and identity She also makes a reference to the document The City of Man.

The Fruit, Herbs, and Vegetables of Italy Toronto: Prospect Books, He dedicated it to Lady Lucy Russell, Countess of Bedford — the sister of a former pupil — in the hope of obtaining her patronage; this did not work out so well, since Lady Lucy had her own debts to grapple with. He explains how to best grow vegetables — especially, difficult ones such as asparagus — and how to season them: olive oil and bitter orange juice figure prominently, as do salt and pepper, and he is in the habit of rubbing salad bowls with garlic, much like contemporary gourmets.

Gillian Riley, who edited and translated the text, is the author of the Oxford Companion to Italian Food Riley has also provided a useful glossary at the end of her vivacious translation. The Prodigious Muse. Italian translations are provided for each of the letters.

Marsh was the American ambassador to the new Kingdom of Italy from its inception in until his death in The letters span the period of his residency in Florence, the ambassador having followed the removal of the Italian capital from Turin to that city in Grant in March of Baird, Assistant Secretary of the Smithsonian Institution, with whom Marsh shared various scientific interests. There are only a few letters to Italian statesmen and all of these are short, diplomatic missives. He had been a Whig representative in Congress during the s where he had first met both Seward and Lincoln.

Appointed U. Marsh admired Garibaldi and had tried to convince the latter to flee to the U.

IMMIGRAZIONE: LE COSE CHE SOROS NON TI DICE

It was during his stay in Turin that Marsh wrote his most famous work, Man and Nature , an ecological treatise in which he points to the Mediterranean as an example of deforestation leading to desertification, and argues that steam locomotion was rapidly degrading the natural landscape. The volume was translated into Italian in The U. In the United States was the first nation to officially recognize the Kingdom of Italy. During the American civil war only Italy and Russia had been openly in favor of the Union among the major European governments Italy depended relatively little on the importation of cotton from the Confederacy.

With regard to Italian politics and society, Marsh waivers between long- range, guarded optimism and disappointment at missteps by the ruling class. Particularly irksome to him was the subservience of government and royal policy to the dictates of the French emperor Napoleon III and his interference in Italian affairs. The letters are also punctuated by ample notes, especially biographical data.

Ducci has done admirable archival research in Italy and the United States in tracking down the letters. This is a big book in several ways. Big physically, its broad-margined pages include over eighty musical examples, reproductions of engravings, photographs, manuscript pages, programs, broadsides and proclamations, sketches of opera houses and opera house floor plans, as well as tables, color illustrations of probable costumes, and a forty-nine page bibliography of sources consulted.

The writing is admirable: balanced and elegant jargon-free prose that is often impassioned and sometimes funny, but always precise and provocative. Opera and Sovereignty is not a history of eighteenth-century Italian opera but a rich and complex series of interconnected arguments that deal with the social context of opera seria in terms of its patronage system, production methods, and reception.

Though at least partly the products of sovereign political forces, opere serie could and often did support change as well as reinforce the status quo and should not be thought of as mere establishment propaganda. For one thing, the performances of the operas of the day, especially given the prime donne and primi uomini who appeared in them, were not that easy for anyone to control.

To understand these complex and frequently expensive artistic products, one must go beyond their printed scores to reconstruct actual performances, the acclaim accorded virtuoso singers, the often dazzling sets and costumes, patronage support and strictures, even the physical structures of the theaters where the operas were performed. By appealing to feeling rather than ratiocination, these arias — often different in successive performances — communicated with their ecstatic listeners at the level not so much of plot as of the myths 33 whose transformation throughout the century Feldman chronicles.

Opera and Sovereignty is divided into nine chapters plus an important epilogue. Five of these chapters are devoted to such general topics as the nature of operatic performance and reception, arias as a form of exchange, celebration and the special nature of operatic time, myths of sovereignty, and the late- century reappearance on the opera stage of mothers and a new sort of bourgeois family. The remaining, interspersed, four chapters are case-studies of the circumstances of particular performances in Parma in , Naples in , Perugia in , and French-occupied Venice in These changes were made to de-emphasize the murderous and incestuous aspects of the Phaedra story to make it more suitable for a performance patronized by the archducal dynasty.

With this provocative but persuasive conclusion Feldman concludes her rich and exceptionally well- informed study. Roma: Libreria Editrice Vaticana, Edition, introduction, and notes by Olimpia Pelosi. Verga, Pirandello e altri siciliani. Lecce: Edizioni Milella, Il discorso procede con un capitolo dedicato alle valenze simboliche del vino nella prosa verghiana. Nei due capitoli successivi viene esaminata una possibile influenza linguistico-tematica della poesia romanesca di Giuseppe Gioacchino Belli su Verga.

La seconda parte si apre con una lettura de Il fu Mattia Pascal di Luigi Pirandello: Gibellini sottolinea come il personaggio e il suo autore siano accomunati dalla ricerca di un senso ultimo delle cose, in un mondo travolto dallo scetticismo copernicano. Il critico si sofferma diffusamente su Berecche e la guerra, novella che ha per protagonista un professore dalle fantasie filogermaniche, per molti aspetti simile allo stesso scrittore, posto di fronte al dilemma della guerra.

Di Mario Grasso viene proposto un commento sui Guerrieri di Riace Canto XXIV : in questo poema il tema classico del connubio fra amore e morte si fonde con quello parallelo della follia amorosa. Leone, ed. The Pamphilj and the Arts is a collection of seventeen essays given at a conference at Boston College in October Helping to revise this rather negative assessment of the barochetto, these scholars use the life of Cardinal Benedetto Pamphilj as a lens through which to reexamine arts patronage in the early eighteenth-century.

Six lunettes depicting scenes from the life of the Virgin were originally commissioned by Cardinal Pietro Aldobrandini to decorate the vault of his private chapel. The remaining essays focus on the life of Benedetto Pamphilj. It seems that Pamphilj never threw himself into religious and political issues with the same fervor as he had when pursuing his cultural interests. The total amount spent on his paintings was unexpectedly small, due in part to the fact that he collected still life paintings, which were less expensive.

Daria Borghese reveals that, in sharp contrast to the modest amount spent on his paintings, the cardinal spared no expense on feasts and ephemeral entertainments. Stephanie Walker reconstructs this now-lost object and suggests that its extravagant design and great expense paralleled its significance as a means of communicating status. The final section examines the written word in the life of Pamphlj. By taking the pseudonym Fenicio Larisseo, Pamphilj assumed the identity of a shepherd whose simple life sharply contrasted with that of Baroque Rome.

Minor suggests that within the bucolic Arcadian setting, Benedetto could freely explore love and desire without fear of public criticism. Ugo Foscolo and English Culture. London: Legenda, Nella compagine del voluminoso carteggio, in cui a riflessioni di ordine privato sono intercalate disquisizioni critico-letterarie, Parmegiani discerne la costante di temi e stilemi sentimentali che tradiscono una sostenuta, per quanto sottile, presenza sterniana.

Se la prima sezione del quarto e conclusivo capitolo ribadisce la predilezione foscoliana per la letteratura inglese ed individua nel teatro shakespeariano, nella poesia sepolcrale e negli scritti di Pope, le letture che valsero a nutrire ed assecondare il proprio interesse, Parmegiani si sofferma nella sezione finale sulle ultime pagine del carteggio risalenti invece al decennio trascorso in Inghilterra.

Partecipe di un consistente e costruttivo dialogo critico con altri studiosi, Parmegiani non trascura di sondare, nel corso della propria disamina, il circostante terreno di ricerca presentando al lettore un resoconto attento ed attuale. Il libro costituisce in questa prospettiva un compendio indispensabile agli studi, tuttora in fieri, sui variegati rapporti intrattenuti da Foscolo con la cultura inglese. A questo elaborato mosaico Parmegiani ha avuto il merito di aggiungere con la propria indagine un autorevole tassello mancante.

Oriani e la narrazione della nuova Italia. Massa: Transeuropa, Il secondo capitolo, La narrazione della nuova Italia, tratta del rapporto tra Oriani e Carducci. Un attento esame della corrispondenza di Oriani mette in luce il difficile rapporto che lo scrittore intrattiene nei suoi ultimi anni con gli editori, primo fra tutti Ricciardi, che, dopo gli scarsi risultati di vendite de La rivolta ideale , rifiuta di pubblicare la raccolta di articoli Fuochi di bivacco edita poi da Laterza nel Sul materialismo leopardiano.

Tra pensiero poetante e poetare pensante. Milano: Mimesis, Nel laboratorio intellettuale dello Zibaldone, infine, il lettore contemporaneo viene sfidato a nuove interrogazioni sulla condizione umana e orientato verso una originalissima e vitale chiave ermeneutica. Byron and the Rhetoric of Italian Nationalism. New York: Palgrave Macmillan, Despite his seemingly lifelong personal and political meanderings, Byron is remembered for his consistent — though at times reluctant — support of the disenfranchised and downtrodden.

Nevertheless, Byron remained committed to the pursuit of liberty from tyranny in all its guises no matter where, or from whom, the source. The book invites readers to envision modes of rhetoric and perceptions of Italian nationalism through a Byronic lens. Here, Schmidt makes manners relevant to the struggle for Italian liberation.

In July of , when Byron set sail on the Hercules to join the war for Greek independence, he intended to return to Italy. The poet succumbed to complications from a fever while he was still in Greece and he died during the spring of The latter have been brought to the attention of a wide public due to the success of the MTV reality show Jersey Shore in The volume is divided into three sections. The first section collects articles originally published on the website i-Italy.

For Cappelli this vision is, to a certain extent, a fiction in that it both ignores the diversity that characterizes the diaspora and romanticizes its links with the home country. Jerry Krase ironically reflects on his own past as a teenager in a period when everyone used ethnic slurs to refer to out-group members and paid a lot of attention to looking cool, in order to underscore how ethnic and other stereotypes have always existed and have been used against all groups in the U.

Chiara Montalto discusses the role of youth subcultures in helping individuals find their place and their voice, and also advocates the importance of discussing differences within the Italian American community, a point shared by Chiara Roberto. He argues that protest as a sole strategy can never be successful unless it is paired with an effort to construct a distinctive culture.

Section two presents interviews with prominent Italian American intellectuals: Maria Laurino, Donna Chirico, Nancy Carnevale, Gianfranco Norelli, and the Italian journalist Aldo Grasso, all of whom agree on the importance of analyzing and debating the Guido phenomenon instead of trying to dismiss it. He argues that Guidos are the target of criticism and disgust because they represent popular culture, rather than the high culture that other members of the community identify with.


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Senator Diane Savino closes the collection of essays reminding Italian Americans that the Guido culture has been an outlet for young people who needed an identity that they could embrace, and that the real enemies are not the youngsters who created the subculture but rather those who distort it and exploit it in order to make a profit. The various contributions to this volume offer a glimpse into an important process of maturation within the Italian American intellectual community.

Indeed, the first step in such processes is always the recognition of internal complexity and of a plurality of voices. That this complexity was negated in the past is comprehensible, since ethnic minorities need to show a well recognizable and unified public face in order to gain acceptance. But such acceptance is not in question today, and Italian Americans need to move on and shift from a defensive to an analytical stance. It is significant that while, until recently, Donald Tricarico was almost alone in paying attention to Italian American youth styles, it is becoming more and more mainstream today to study identity practices among members of Italian American groups.

It is only by accepting this basic principle about the way identity processes work that the Italian American community can make progress, and for that reason, I see this volume as a first step in the right direction. Postscritto a Giorgio Bassani. Saggi in memoria del decimo anniversario della morte. I primi tre interventi sono dedicati al ricordo di Bassani. Valerio Capozzo compie un ottimo lavoro di ricostruzione, tramite la disamina della corrispondenza tra Edoardo Lebano e Bassani, di una fase americana dello scrittore.

Stimolante e quanto mai originale la lettura in chiave biopolitica di Andrew Bush del romanzo del , Una lapide in via Mazzini. Sul Bassani potenziale studioso ed emulatore petrarchesco si articola il saggio di Roberta Antognini. Attraverso una decifrazione intertestuale, James T. Chiampi rintraccia ascendenti letterari illustri del Giardino e in altre opere. Interrogandosi sul significato di emancipazione, Tim Parks effettua una disamina storica sul Giardino cogliendo un peculiare atteggiamento del romanziere nei confronti delle divisioni sociali e del loro potenziale creativo. Cristina M.

Cristiano Spila si occupa del Bassani ecologista, mentre Maurizio Del Ministro prende in esame la causa animalista nella vita dello scrittore.


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Every culture can be said to have undoubtedly been affected by extraneous influences throughout its development. Traces of these effects can be found in the customs, language, literature and art of a culture. The trilingual abstract of each article is an effective strategy, enabling comprehension by scholars of Croatian and Italian Studies alike, as well as a wider audience, and ensures the dissemination of the topic material of each article.

Preceded by a one-page preface, presented in both Croatian and Italian, the scope of the entire collection and the research is both outlined and contextualized. Consisting of four review articles, interspersed throughout the collection, eleven original scientific papers, and one preliminary communication, presenting the early development of completely original research centered upon previously unknown artistic findings, the collection presents a wide range of information.

This contact is traced to the beginning of spiritual growth on the Croatian coast, emerging from Latin culture. Similarly, this series of articles employs a variety of research methodologies including literary criticism, linguistic analysis, intertextual and intermedial approaches, meteorological investigation into paremiology, and cultural analysis based upon archeological findings and the creations of goldsmiths.

They bring to the fore the intrinsic linguistic and literary dynamicity of the Adriatic coastal areas while highlighting the fluidity of identity in an area replete with numerous and diverse socio-cultural and historical influences. Robinson Crusoe flees Britain on a ship after killing his friend. Now, years after. A list of all the characters in Robinson Crusoe.

Located close by Fiji's famous Coral Coast, Robinson Crusoe Island offers relaxing day tours, exciting night tours and affordable Fijian accommodation. On screens. Gli sviluppi della disciplina in Inghilterra. Le prime competizioni agonistiche. Club e regate. Gli sviluppi del Free Il Carrobbio. Il debito sale e l'occupazione scende: i motivi e le dinamiche mai svelate all'origine dell'attuale crisi economica e This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism.

Based on the analysis of visual cultures photographs, news footage, advertisements, propaganda, fiction film, etc. Tavola Rotonda. Essa si inaugura con una breve introduzione a cura di Gaia Giuliani. Il secondo saggio, di Vincenza Perilli, si concentra sulla costruzione della bellezza femminile proposta dalla rivista Noi donne.

La tavola rotonda che qui vi presentiamo vuole essere un momento di riflessione collettiva, originale e interdisciplinare, su un tema recentemente al centro della ricerca accademica e di un crescente numero di pubblicazioni in Italia e La tavola rotonda che qui vi presentiamo vuole essere un momento di riflessione collettiva, originale e interdisciplinare, su un tema recentemente al centro della ricerca accademica e di un crescente numero di pubblicazioni in Italia e all'estero. At the turn of 20th century in Australia, internationally accepted anti-black stereotypes pervading Australian racial thinking and race relations, resulted as revitalized and even transfigured by Social Darwinism and Eugenics.

In its new The present article tries to explore some aspects of the idea of whiteness emerging from the influential role played in Australia by the international debate on race from the end of 19th century to the s and the inheritance of the oldest and most strongly grounded prejudgements against Blacks and of imperial ideas on the inferiority or "non-humanness" of not-white races. Publisher: Studi Culturali, 1, pp. View on rivisteweb. Il Rovescio dei Diritti Umani. Written by Thomas Casadei Written by Thomas Casadei.

Published by Derive Approdi, , pp. La Rappresentazione Incorporata. Joint Review of "La Rappresentazione Incorporata. Shaping the New Man. Book Review of "Shaping the New Man. Published by University of Wisconsin Press, , pp. Gypsies in Germany and Italy. Book Review of "Gypsies in Germany and Italy. Lives Outside the Law. Published by Palgrave Macmillan, , pp. Imperial Migrations. Book Review of "Imperial Migrations. Colonial Communities and Diaspora in the Portuguese World.

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Published by Palgrave Macmillan, , p. Portuguese Studies , Colonialism , and Migration Studies. Ler na fronteira. Bruxelles: Peter Lang, pp.


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    The Postcolonial and the Revision of Knowledge more. The aut-aut special section follows the seminar, held in Padua in December , Gli studi postcoloniali nelle scienze umane: storie, teorie, metodi e pratiche italiane. The section represents an important contribution to ongoing debates about postcolonial Italy, and the consequences of a re-thinking of epistemologies, identities and approaches within Italian postcolonial scholarship.

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    Wison, Cambridge, Cambridge University Press, , pp. Culture, Identity, and Modernity in britain and Empire, ed. Modern Identity between Modernity and Double Consciousness]. Written by Paul Gilroy Published in Italian by Meltemi, Published in Italian by Meltemi, , pp. Edited by Valentina Colombo and Gustavo Gozzi Il Linguaggio Giuridico della Conquista.

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    Political Philosophy and History of Political Thought. Legge, Razza e Diritti. Critical Race Theory in the United States] more. Book Review of Legge, Razza e Diritti. Published by Diabasis, , pp. British Foreign Policy The Role of India more.